An object in an extended open phase
The same object in a compressed phase

Objecthood is a temporary stabilization within a broader field of possibilities.

Research Practice

Design as philosophical inquiry

Anton Edelshtein works across object design, material experimentation, photography, and media philosophy. His practice investigates how objects emerge, stabilize, transform, persist, and lose stability through relations between matter, bodies, spaces, images, and media environments.

Rather than approaching design as the production of fixed solutions, he treats practice as a mode of inquiry. Objects become research situations: provisional configurations through which questions of form, perception, function, and presence can be tested in material terms.

Current Research
Processual Media Ontology
Doctoral research at Hochschule Bonn-Rhein-Sieg, Germany
Process

Thinking through matter

Material practice functions here as an epistemic method. Casting, joining, compressing, suspending, and reconfiguring are not only techniques of production; they are ways of testing how objecthood takes form.

Studio process: casting, forming, assembling, and testing ceramic objects
Studio process — casting, forming, assembling, and testing
Selected Objects

Extainer as a phase-open object

Extainer names a working method in which an object is treated as an open structure rather than a closed form. Function is not rejected, but displaced, allowing other relations, intensities, gestures, and interpretations to become active. Within the wider research, Extainer is one mode of investigating phase openness.

Extainer installation view
Installation view
Figure Apparator
Figure Apparator
Figure Apparator
Figure Apparator
Figure Apparator
Figure Apparator
Figure Apparator
Figure Apparator
Figure Apparator
Stratum Apparator
Stratum Apparator
Stratum Apparator
Stratum Apparator
Stratum Apparator
Stratum Apparator
Stratum Apparator
Stratum Apparator
Stratum Apparator
Excess Apparator
Excess Apparator
Excess Apparator
Excess Apparator
Excess Apparator
Excess Apparator
Excess Apparator
Anton Edelshtein with the object series
Anton Edelshtein
Research

Processual Media Ontology

The research begins from the premise that objects, subjects, and spaces are not pre-given entities, but temporary regimes of stabilization emerging within material, digital, and platform-mediated environments.

Objecthood is therefore understood not as a completed state of a thing, but as the temporary dominance of a particular phase within a broader field of possibilities. A phase becomes actual through encounter: an event formed at the intersection of bodies, environments, media, memory, infrastructures, and regimes of attention.

Stability is never absolute. It is a contingent achievement sustained by cultural, technical, perceptual, and material conditions. Forms persist, transform, or disappear as those conditions change.

Phase Stabilization

The temporary maintenance of a particular configuration within a wider processual field.

Encounter

The event through which a configuration becomes recognizable and actualizable as an object, subject, or space.

Container / Extainer

Different degrees of stabilization: from consolidated form, function, and interpretation to increased phase openness.

Practice-Based Research

Object design, photography, digital imaging, and AI environments used as epistemic instruments rather than illustrations.

About

Anton Edelshtein

Anton Edelshtein is a designer and researcher working across object design, material culture, media philosophy, and practice-based inquiry. His work examines how objecthood emerges through processes of stabilization, transformation, perception, and encounter.

He approaches design as a way of thinking through matter. Familiar typologies are treated not as fixed solutions, but as sites where tensions, traces, relations, and latent possibilities can become active.

His current doctoral research, Processual Media Ontology, is being developed at Hochschule Bonn-Rhein-Sieg, Germany.

Edelshtein previously founded OMTURA, a label of sculptural leather objects exploring materiality, craft, and form through a conceptual lens. The work was presented internationally, including a solo exhibition at Periscope Gallery in Tel Aviv and presentations during Paris Fashion Week.

Contact

Contact

Get in touch for exhibitions, collaborations, research, or enquiries.

Email
edelsanton@gmail.com

Instagram
@antonedels

Brand
OMTURA